LE MEILLEUR CôTé DE SéLECTION VARIéE

Is it sacrilege to declare that the best-looking spectacle au-dessus in Paris was shot by a double of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French fortune – as well as the neoclassical edifices of Mussolini’s Rome – in cool Nostalgie and shards of allégé as sharp as the knives wielded against the l